Che cos’è un’immagine? Sull’attualità dei secoli astratti in cui tuttora viviamo
Arianna Lodeserto
Opera Viva Magazine , 2020
Journal articles
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La Question Vidéo
Philippe Dubois
Yellow Now, 2011
Books
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A Cinema Effect in Contemporary Art
Philippe Dubois
,
J. Noordegraaf
,
Cosetta Saba
,
Barbara Le Maître
,
Vinzenz Hediger
et al.
Preserving and Exhibiting Media Art. Challenges and Perspectives , Amsterdam University Press, 2013
Book sections
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Lo schermo come quadrato dinamico e l’architettura di vetro
Antonio Somaini
Rivista di estetica , 2014
Journal articles
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Estetica dei media e della comunicazione
Antonio Somaini
,
Roberto Diodato
Il Mulino, 2011
Books
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Strates
Antonio Somaini
Eisenstein – Leçons mexicaines. Cinéma, anthropologie, archéologie dans le mouvement des arts , Presses universitaires de Paris Ouest, 2016
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Il luogo dello spettatore. Forme dello sguardo nella cultura delle immagini
Antonio Somaini
,
Andrea Pinotti
,
Tonino Griffero
,
Roberto Diodato
,
Jonathan Crary
et al.
Vita e Pensiero, 2005
Books
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Visual Meteorology. Le diverse temperature delle immagini contemporanee
Antonio Somaini
Fotografia e culture visuali del XXI secolo. La “svolta iconica” e l’Italia , Dec 2014, Rome, Italy
Conference papers
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Il dono
Antonio Somaini
,
Dan Cameron
,
Jacques Derrida
,
Jean Baudrillard
,
Alain Caillé
et al.
Charta, 2001
Books
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Walter Benjamin's Media Theory: The Medium and The Apparat
Antonio Somaini
Grey Room , 2016
Journal articles
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I gesti soli (come un'introduzione), Introduction de: Senza aprir bocca. Il dizionario dei gesti-Gesture dictionary-Dictionnaire des gestes. Ediz. illustrata, Editore:Iacobellieditore Collana:Guide Codice EAN:9788862526623 Anno edizione:2021 Anno pubblicazione:2021 Dati:704 p., ill., brossura
Arianna Lodeserto
2021
Books
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Benjamin: Cinema Between Medium and Apparat
Antonio Somaini
Tracking Specificity , Dudley Andrew; Francesco Casetti; Yale University, Feb 2014, New Haven, United States
Conference papers
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Fazer mundos, fabricar possíveis: práticas do artista do fingere
Marina Romagnoli Bethonico
Journal articles
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De la imagen-huella a la imagen-ficción. El movimiento de las teorías de la fotografía de 1980 a nuestros días
Philippe Dubois
Clave , 2016, n°8
Journal articles
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Innervation: Body and Machine Between Psychotechnics, Aesthetics, and Media Theory
Antonio Somaini
The Factory as Creative Model. Parti 1: The 1920s , NECS, Jun 2014, Milan, Italy
Conference papers
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The Notes for a General History of Cinema. Eisenstein’s Media Archaeology
Antonio Somaini
Kracauer Lectures in Film and Media Theory , Goethe Universität, Jun 2014, Frankfurt, Germany
Conference papers
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Forme-atlas, généalogie, morphologie et archéologie des médias dans l’Histoire générale du cinéma (1946-48) d’Eisenstein
Antonio Somaini
Pratiques de documentation et composition d’atlas dans les sciences et les arts à l’époque moderne et contemporaine , Jean-Marc Besse; École française de Rome, Jun 2014, Rome, Italie
Conference papers
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Oui, c’est du cinéma ! / Yes, it’s Cinema.
Philippe Dubois
,
Lucia Ramos Monteiro
,
Alessandro Bordina
Campanotto Editore, 2009
Books
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Spécificité du médium et intermédialité dans le cinéma des avantgardes
Antonio Somaini
Avant-gardes, underground, expérimentation , Université de Turin, Oct 2010, Turin, Italy
Conference papers
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“Collective laughter” as “a therapeutic release of unconscious energies”: Benjamin on Disney
Antonio Somaini
Media Politics, Political Media , NECS, Jun 2013, Prague, Czech Republic
Conference papers
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Roger Ballen ou la photogénie documentaire du bizarre
Philippe Dubois
catalogue de l’exposition Roger Ballen. Transfiguraçoes fotografias. 1968-2012 , Musée d’Art Moderne, 2012
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Morphologie, généalogie, histoire. Le montage au delà du cinéma dans les écrits d’Eisenstein
Antonio Somaini
Interpositions. Bildgrenzen , INHA, Feb 2011, Paris, France
Conference papers
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Haute et basse définition: enjeux technologiques, épistémologiques, esthétiques, médiologiques
Antonio Somaini
Haute et basse définition. Images, sons, scènes, médias , Antonio Somaini; Francesco Casetti; INA; Université Sorbonne Nouvelle Paris 3, Oct 2013, Paris, France
Conference papers
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« Le montage est lui aussi une activité comparative ». Montage, théorie et histoire dans les écrits de Sergei M. Eisenstein
Antonio Somaini
Interpositions. Montage d’images et production de sens , Maison de Sciences de l’Homme, 2014
Book sections
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« Our multiplied sensibility ». Sound recording between artistic practice, aesthetics, and media theory (1922-30)
Antonio Somaini
The Small Utopia. Ars Multiplicata , Fondazione Prada, 2012
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La distinzione tra Medium e Form. Luhmann e la questione del dispositivo
Antonio Somaini
Fata Morgana , 2015
Journal articles
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One Hundred Comebacks
Antonio Somaini
100 Round Trips to Hollywood , Charta, 2010
Book sections
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Sergei M. Eisenstein: Drawing and/as Montage
Antonio Somaini
Before Publication. Montage in Art, Architecture, and Book Design , Park Books, 2016
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Interattività, intermedialità, tecno-estetica. Quarant’anni di confronto con l’opera di Vertov (1975-2015)
Antonio Somaini
I percorsi dell’immaginazione. Studi in onore di Pietro Montani , Pellegrini, 2016
Book sections
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Les films en 3D, entre haute et basse définition. Cinéma, images, culture visuelle
Antonio Somaini
Blockbuster. La philosophie face au cinéma populaire , Forum des images, Dec 2012, Paris, France
Conference papers
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