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            <title xml:lang="en">Lists and narrative construction: Gesualdo Bufalino's challenge</title>
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                <term xml:lang="en">Vertigo</term>
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                <term xml:lang="en">Gesualdo Bufalino</term>
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              <p>This essay studies Bufalino's narrative work from the focal point of the theory and poetics of the list. In the five major novels - Diceria dell'untore, Argo il cieco ovvero i sogni della memoria, Le menzogne della notte, Qui pro quo e Tommaso e il fotografo cieco ovvero Il Patatràc - a modus scribendi emerges, obsessive and structural: to think the work from words arranged in lists. Of this way of proceeding, which invests the text and the paratext, an attempt is made here to understand the functioning and literary meaning.</p>
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              <p>Cet essai étudie l'œuvre narrative de Bufalino du point de vue de la théorie et de la poétique de la liste. Dans les cinq romans majeurs - Diceria dell'untore, Argo il cieco ovvero i sogni della memoria, Le menzogne della notte, Qui pro quo e Tommaso e il fotografo cieco ovvero Il Patatràc - un modus scribendi émerge, obsessionnel et structurel : penser l'œuvre à partir de mots disposés en listes. De cette façon de procéder, qui investit le texte et le paratexte, on tente ici de comprendre le fonctionnement et le sens littéraire.</p>
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              <p>In questo saggio si studia l’opera narrativa di Bufalino dalla focale della teoria e della poetica della lista. Nei cinque romanzi maggiori – Diceria dell’untore, Argo il cieco ovvero i sogni della memoria, Le menzogne della notte, Qui pro quo e Tommaso e il fotografo cieco ovvero Il Patatràc – un modus scribendi emerge, ossessivo e strutturale: pensare l’opera a partire da parole disposte in liste. Di questo modo di procedere, che investe il testo e il paratesto, si tenta qui di capire il funzionamento e il senso letterario.</p>
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